|  | Including your latest work, You Kill Me, you've made a few movies with psychopathic characters, mostly hitmen. What is that obsession? |
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|  | How did Ben Kingsley come to the project? |
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|  | Of all the films you made, for all the scripts you've written, this one with Chris Markus and Stephen McFeely... What is it like in terms of approaching it as a director? Is it a different feeling? Do you feel you have a different responsibility? |
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|  | Why film mainly in Winnipeg? |
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|  | Did you go see any of the AA meetings to get sort of a feeling....? |
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|  | With the budget of the film being low, do you put in time for rehearsal before filming to keep the shooting days shorter? |
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|  | What did you see in Sir Ben (Kingsley)'s work that made you think he was right for this role? |
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|  | With Téa Leoni and Luke Wilson and Dennis Farina, how did it all come together? |
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|  | Bill Pullman's character is a gem. He said he started his character with the hair? |
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|  | Since you've taken an acting class from Bill Pullman, is it easier or harder to some extent to demand things of him? |
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|  | Where do you think independent film is, at this moment, in terms of its growth? |
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|  | Did you always want to be a director? |
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|  | What films have had an impact on you, to inspire you to become a director? |
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|  | Do you feel films have an ability to affect society, or do you feel that films kind of reflect where society is? |
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|  | How difficult was it to make the audience sympathize with the alcoholic hit man? |
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|  | Do you look forward to watching your films played in front of an audience? |
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