You co-wrote Mulberry Street with the lead actor. How did that project start?

Did he know you were a fan of this genre of film?

You managed to make the city [New York] look like a ghost town, much like the way 28 Days did, later, to London. How easy or difficult was it to generate that sort of feeling?

How careful did you have to be, permit-wise?

Your film is incredibly technically proficient, especially in its transitions. Was this storyboarded out?

There have been a lot of zombie films lately. Do you think this trend will continue?  Why do people need to see your film over the others right now?

One of the clever elements in your film is how you utilize the breakdown of systems in place, much like what had happened with Katrina. How much of a role did Katrina play in your writing and shooting the film?

Did you ever consider going with some name actors or a couple of B-listers or anything like that?

Were you always aiming to premier at Tribeca?

Do you know where it's going to go from here?

Have New York audiences responded differently to your film than have international viewers?